Signature, title, date and size on the reverse
Provenance:
Galleria La Barcaccia, Napoli, as per stamp on the reverse;
Finarte, Milano, auction of 29 March 1990;
Private collection
Exhibitions:
Immagini della pittura italiana del secondo dopoguerra, Galleria Civica, Campione d'Italia, from May to July 1988, illustrated in the auction catalogue on p.14
Artwork recorded at Archivio delle opere di Alfredo Chighine, Milan, with number 150 as stated by the certificate issued on October 20th 2024
THIS LOT IS ALSO SUBJECT TO VAT (IVA 22%) DUE BY THE BUYER IN ADDITION TO THE HAMMER PRICE
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«Perhaps, for a first, brief placement, we can say that Chighine is an informal painter. (And one of the greatest, ever. In the world, I mean. Although many critics have never noticed). But, of course, we must say, immediately afterwards, that the word 'informal', put there to define the painting of Chighine, denounces all its limitations. Because this word makes one think of something deliberately chaotic - while in Chighine’s painting the structure is always solid, evident in its complexity». (Emilio Tadini in: "Alfredo Chighine 1914-1974", curated by Elisabetta Longari, Quaderno della Galleria Matasci, 1991)