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"In Migliaro's painting a group of houses did not just represent a choreographic starting point. The arch of Sant'Eligio, the Lower Porto, Piazza Francese, the market, were not inert backdrops that the painter hoisted up to accommodate the development of episodes and colorful gesticulations. For the painter, the architectural structure not only signaled a rhythmic cadence of volumes but the sign of tradition"
Rosario Caputo, Vincenzo Migliaro, pag. 15, Napoli, 2001